Tuesday, April 9, 2013


Temple of the Tooth

From Wikipedia, the free encyclopedia
Temple of the Sacred Tooth
ශ්‍රී දළදා මාළිගාව
Zahntempel Kandy.jpg
Temple of the Tooth situated in world heritage site, Kandy
Information
Founded1595
Founder(s)Vimaladharmasuriya I
Reverend(s)Mahanayaka Thera of Asgiriya Chapter, Mahanayaka Thera of Malwatta Chapter,Diyawadana Nilame
CountrySri Lanka
Coordinates7°17′38″N 80°38′19″ECoordinates: 7°17′38″N 80°38′19″E
Websitehttp://www.sridaladamaligawa.lk
Sri Dalada Maligawa (Sinhala: ශ්‍රී දළදා මාළිගාව) or the Temple of the Sacred Tooth Relic is a Buddhist temple in the city of Kandy, Sri Lanka. It is located in the royal palace complex which houses the relic of the tooth of Buddha. Since ancient times, the relic has played an important role in local politics because it is believed that whoever holds the relic holds the governance of the country. Kandy was the last capital of the Sri Lankan kings and is a UNESCO world heritage sitepartly due to the temple.
Monks of the two chapters of Malwatte and Asgiriya conduct daily worship in the inner chamber of the temple. Rituals are performed three times daily: at dawn, at noon and in the evenings. On Wednesdays there is a symbolic bathing of the Sacred Relic with an herbal preparation made from scented water and fragrant flowers, calledNanumura Mangallaya. This holy water is believed to contain healing powers and is distributed among those present.
The temple sustained damage from bombings at various times but was fully restored each time.

Contents

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[edit]History

Patthirippua At Sri Dalada Maligawa Kandy Srilanka
After the parinirvana of Gautama Buddha, the tooth relic was preserved in Kalinga and smuggled to the island by Princess Hemamali and her husband, Prince Dantha on the instructions of her father King Guhasiva.[1] They landed in the island in Lankapattana during the reign of King Kirthi Sri Meghavarna (301-328) and handed over the tooth relic. The king enshrined it Meghagiri Vihara (present day Isurumuniya) in Anuradhapura. Safeguard of the relic was a responsibility of the monarch, therefore over the years the custodianship of relic became to symbolize the right to rule. Therefore reigning monarchs built the tooth relic temples quite close to their royal residences, as was the case during the times ofAnuradhapura, Polonnaruwa, Dambadeniya, Yapahuwa and Kurunegala kingdoms. During the era of Kingdom of Gampola the relic was housed in Niyamgampaya Vihara. It is reported in the messenger poems such as Hamsa, Gira, and Selalihini that the temple of tooth relic was situated within the city of Kotte when the kingdom was established there.[1]
During the reign of King Dharmapala, the relic was kept hidden in Delgamuwa Vihara, Ratnapura in a grinding stone.[1] It was brought to Kandy by Hiripitiye Diyawadana Rala and Devanagala Rathnalankara Thera. King Vimaladharmasuriya I built a two storey building to deposit the tooth relic and the building is now gone.[2] In 1603 when the Portuguese invaded Kandy, it was carried to Meda Mahanuwara in Dumbara. It was recovered in the time of Râjasimha II and it has been reported that he reinstate the original building or has built a new temple.[1] The present day temple of the tooth was built by Vira Narendra Sinha.[3] The octagonal Patthirippuwa and moat was added during the reign of Sri Vikrama Rajasinha. Famous Kandyan architect Devandra Mulacharin is credited with building the Patthirippuwa. Originally it was used by the kings for recreational activities and later it was offered to the tooth relic. Now it is an oriental library. It was attacked on two occasion, first in 1989 by the JVP and in 1998 by the LTTE.
Wall painting at Kelaniya Temple of Princess Hemamali and her husband, Prince Dantha which she carried Gautama Buddha's tooth relic hidden in her hair to Sri Lanka. - Painting bySolias Mendis

[edit]Architecture

Inside the Temple of the Tooth
The golden canopy over main shrine
The brick wall which runs along the moat and Bogambara lake is known as water waves wall.[3] Holes in this wall are build to light coconut oil lamps. The main entrance gates which lies over the moat is called Mahawahalkada. At the foot of Mahawahalkada steps there is aSandakada pahana (moonstone) which is carved in Kandyan architectural style. Mahawahalkada was totally destroyed in a 1998 bomb blast and rebuilt afterwards along with sandakada pahana other stone carvings.[4]Elephants are depicted in stone on the either sides of the entrance. A Makara Torana and two guardian stones are placed on top of the staircase. Hewisi drummers' chamber is situated in front of the main shrine. The two storeys of main shrine are known as "Palle malaya" (lower floor) and "Udu malaya" (upper floor) or "Weda hitina maligawa".[5]The doors of the Weda Hitana Maligawa are carved in ivory. The actual chamber which the tooth relic is kept is known as the "Handun kunama".
The golden canopy built in 1987 over the main shrine and the golden fence which encircles the main shrine are other notable features.[6] The tooth relic is encased in seven goldencaskets which engraved with precious gemstones.[7] The caskets have a shape of a stupa. The Procession casket which is used during the Esala Perahera is also displayed in the same chamber.

[edit]Associate buildings and structures

[edit]Royal Palace

Vimaladharmasuriya I built the royal palace of Kandy
The royal palace is situated to the north of the temple.[8] John Pybus, who was on an embassy in 1762, gives a detailed description on the royal palace.[9] Vikramabâhu III (r. 1356-1374) and Senasammatha Vikramabâhu (r. 1469-1511) built royal palaces on this site.Vimaladharmasuriya I undertook various decorations to the palace. The Dutch orientalistPhilippus Baldaeus visited the palace with General Gerard Pietersz. Hulft in 1656. The royal residence is known as "Maha Wasala" in Sinhala from the Polonnaruwa period. The royal palace is also known as "Maligawa." There were three Wahalkadas and a 8 feet (2.4 m) high wall used as main entrances. The section of the palace facing the Natha Devale is said to be the oldest. During the beginning of the British period, it was used by Government Agent Sir John D'Oyly.[8] Successors of D'Oyly have continued to use it as their official residence. Today it is preserved as an archeological museum. Ulpen Ge and Queens Palace are the associated buildings of the palace.

[edit]Audience hall

Audience hall seen partially here from northern facade of the temple
the Audience hall or the Magul maduwa is where the Kandyan kings held their royal court.[10] It was completed during the reign of Sri Vikrama Rajasinha.[11] The carvings of the wooden pillars which support the wooden roof are an example of wood carving of the Kandyan period. Sri Rajadhi Rajasinha built this in the year of 1783. The hall was renovated for the reception of arrival in Kandy of Prince Albert Edward, Prince of Wales in 1872. Originally the hall of the size of 58*35.6 feet and after the renovation length was extended by additional 31.6 feet.[12] Other nearby building to the halls believed to be demolished during the British rule. The audience hall was the venue where the Kandyan Convention was drawn up, it was where the convention was read out to the people and where the conference, about the convention was held on 2 March 1815.[13][14] That space later used to erect the Kandy Kachcheri and Kandy supreme court after that. Today it is used for state ceremonies and conserved under department of archaeology.

[edit]Mahamaluwa

Mahamaluwa is public who came to see the annual Esala perahera.[4] Today it contains a statue of Madduma Bandara. The memorial of which contains the skull of Keppetipola Disawe is another attraction. The statue of Princess Hemamali and Prince Dantha are also located here.

Sri Lanka - 029 - Kandy Temple of the Tooth.jpgTemple of the ToothMahawahalkada (The main entrance)MoatPattirippuwaHandun kunamaGolden canopyNew Palace
8 white, red rounded rectangle.svg
9 white, red rounded rectangle.svg
Old courts building
11 white, blue rounded rectangle.svg
Biso ulpen ge (Queens bath)Diyathilaka mandapaya
14 white, green rounded rectangle.svg
1 white, red rounded rectangle.svgTemple of the Tooth building complex
2 white, red rounded rectangle.svgMahawahalkada (The main entrance)
3 white, blue rounded rectangle.svgMoat
4 white, red rounded rectangle.svgPattirippuwa (Octagon)
5 white, red rounded rectangle.svgHandun kunama
6 white, red rounded rectangle.svgGolden canopy
7 white, red rounded rectangle.svgNew Palace
8 white, red rounded rectangle.svgRoyal Palace of Kandy
9 white, red rounded rectangle.svgNational Museum of Kandy
10 white, red rounded rectangle.svgOld courts building
11 white, blue rounded rectangle.svgKandy Lake
12 white, blue rounded rectangle.svgBiso ulpen ge (Queens bath)
13 white, blue rounded rectangle.svgDiyathilaka mandapaya
14 white, green rounded rectangle.svgUdawatta Kele Sanctuary

[edit]See also

Sunday, April 7, 2013

Śrī Maha Bodhi

Jaya Siri Maha Bodhi

"In Sri Lanka, there grows to this day, a tree, the oldest historical tree in the world which we know certainly to have been planted as a cutting from the Bodhi tree in the year 245 B.C."
- H.G. Wells

The Sacred Jaya Siri Maha Bodhi in Anuradhapura is reckoned as the oldest surviving historical tree in the world.
Jaya Siri Maha Bodhi was brought to Sri Lanka by the Theri Sangamitta, daughter of Emperor Asoka and was planted in the Mahameghavana Park in Anuradhapura in 249 BC by King Devanampiyatissa.
Jaya Siri Maha Bodhi is said to be the southern branch of the Jaya Siri Maha Bodhi at Buddha Gaya in India under which Lord Buddha attained bodhi or 'Awakening'.




ජය ශ්‍රී මහබෝධීන් වහන්සේ
සිරිමහබෝ ලක්දිවට වැඩමවීමේ විස්තර කථා - මහාවංශය (පිටු අංක 77 සිට 85 දක්වා Pdf 111 )
 සම්මා සම්බුදුරජාණන් වහන්සේසම්‍යක්සම්බෝධියෙන් අට වෙනි වර්ෂයෙහි කැළණි දෙස වූ මණිඅක්ඛිත (නරජුහු ) නිවෙසට වැඩි සේක. එතන්හි ධර්ම දේශනා කොට අහසට නැගී සමන්කුළු මතුයෙහි පා සටහන දැක්වූ සේක. සංඝයා සහිත වූ සේක් ඒ පර්වත පාදයෙහි සැපසේ දිවා විහරණය කොට ස්ථානා ස්ථාන දැන්මෙහි ප්‍රවීණ වූ මහා මුනි තෙම පසුව මහ මෙව්නා උයන පිහිටි තැනට වැඩි සේක. ශ්‍රාවක සංඝයා සහිත වූ ලෝකාස්වාමි තෙම මහ බෝ පිහිටි තන්හි සමාධිය අපර්ණය කළ සේක.  පිටු අංක 5 (72) සිට (82).
එසේ නම් ජය ශ්‍රී මහ බෝධීන් වහන්සේ වැඩසිටිනා මේ උතුම් පින් බිම බුදු පහස ලැබුවා වූ සමාජයේ ජාතික සංකේතය වන්නේ ය.  ජය ශ්‍රී මහ බෝධීන් වහන්සේ අනුස්මරණය කරමින් රජ දරුවන් ප්‍රමුඛ කර ගෙන උඳුවප් පොහොය දිනවලදී ජයශ්‍රී මහ බෝධීන් වහන්සේ වෙත දිවයිනේ දස දෙසින් මහ ජනතාව පැමිණ මහ බෝ වන්දනාව සිදු කොට තම මුතුන් මිත්තන්ට පුණ්‍යානුමෝදනා කිරීම හා රටට ජාතියට ආශිර්වාද කිරීම අතීතයේ සිට පැවත එන උතුම් ජාතික උත්සවයකි. 
විවිධ ආක්‍රමණ නිසා සිංහල රාජධානිය දකුණට සංක්‍රමණය වෙද්දී ගිහි පැවිදි ජනතා නායකයන් ගෙන් අනුරපුරය ශූණ්‍ය විය. මහා විහාරය ආදී වෙහෙර විහාර නටබුන් විය. එසේ තිබියදීත් කාලිංග මාඝ එලාර වැනි විජාතික පාලකයන්ට හසු වී ජය ශ්‍රී මහ බෝධීන් වහන්සේ හා උන්වහන්සේ සම්බන්ධ බෝධි මංග්‍යයන් නොනැසී ආරක්ෂා කරදීම ජාතියේ වාසනාවකි. එම උතුම් මෙහෙවර සිදුකළ ශ්‍රී මහා බෝධි ආරක්‍ෂක ජන පිරිසට ජාතියේ උපහාරය පුදකළ යුතුය.
සර්වඥයන් වහන්සේ විසින් සිදුකරනා ලද ” මහාධිෂ්ඨාන පසක්” -(පිටු අංක 75 දහසය වන පරිච්ඡේදය) මෙහි පලමු පිටුවේ සදහන් කර ඇත. මෙම මහාධිෂ්ඨාන පස ට අපගේ ජය ශ්‍රී මහ බෝධීන් වහන්සේ , ථූපාරාම සෑ රජුන්, මහසෑය (රුවන්වැලි සෑ රජුන්) ඇතුලත් වී තිබීමම ශ්‍රී ලාංකිකයන් වන අප වාසනාවන්ත ජාතියකි. මෙය අවබොධයෙන් කියවා අපහට අමතක වී යන අපගේ ඒ ප්‍රෞඩ ඉතිහාසය නැවත මතක් කර ගනිමින් අවුරුදු කෝටි ප්‍රකෝටි ගණනකිනුදු ලැබීමට දුෂ්කර වූ මෙ‍ම වටිනා අවස්ථාව ප්‍රයෝජනයට ගෙන ධර්ම රත්නය අවබෝධ කර ගැනීමට දැඩි ලෙස උත්සාහ කිරීමට අවශ්‍යය ශක්තිය වීර්‍ය ලැබේ වා! 
අප භාග්‍යවත් අර්හත් සම්මා සම්බුදුරජාණන් වහන්සේගේ ශාසනය බොහෝ කල් පවතීවා !  චිරං තිට්ඨතු ලෝකස්මිං සම්මාසම්බුද්ධසාසනං !
තමහට වැඩ කැමැත්තෝ තිසරණයෙහි පිහිටත්වා ! මේ පින් අනුමෝදන් වෙත්වා !
මහාවංශය පොතෙන් සිරිමහබෝ ලක්දිවට වැඩමවීමේ විස්තර කථා සදහන් පිටපත්කරන ලද පිටු කීපය (පිටු අංක 77 සිට 85 දක්වා Pdf 111 ) කියවීමට හෝ බාගැනීමට පහත පිවිසුම් වලට ඇතුළු වන්න.

Sunday, March 24, 2013



ANURADHAPURA

Ancient Capital of Anuradhapura

Anuradhapura is 205 kms from Colombo and it is the first capital of Sri Lanka founded in the 4 century BC. Anuradhapura is considered the most extensive and the most important of the ancient cities in the northern region. It served as a capital city of this region for over 1000 years and hence was residence to many Sri Lankan kings from 377 BC. King Pandukhabhaya first made it a capital, naming it after the constellation Anuradha. He was followed by king Devanampiyatissa (250-210 BC) in whose reign Buddhism was introduced to Sri Lanka and became the predominant religion. The city became great and a centre for Buddhist devotion. The great Sinhalese kings Dutugamunu (161-137 BC), Vasabha and Mahasena belonged to the Anuradhapura period.

Sri Maha Bodhi (Sacred Bo-tree)

The sacred Bo-tree has grown from a cutting of the Bo-tree under which Buddha attained enlightenment. This cutting was brought from India by Mahinda’s sister, Sanghamitta Bhikkuni (Buddhist nun) during the reign of King Devanampiyatissa (250-210 BC) to Sri Lanka. The king built the Maha Vihara (‘great temple’) for the monks and the Bo-tree was planted in the compound. Later the Ruwanveliseya stupa and Brazen Palace were built within the grounds of the Maha Vihara.
The Sri Maha Boddhiya Bo-tree is the oldest historically authenticated tree in the world. It is over 2250 years old. It is visited by Buddhist devotees who come to make offerings and is watched over by guardians all year through. The Chinese pilgrim Fa-Hien visited the site in the fifth century AD when he stayed three years on the island.
The ruins of the Brazen Palace are close to the Bo-tree. The palace was so called because of its bronze roof and was described in the Mahavansa as having nine storeys and supported by ‘sixteen hundred pillars of rock’. It was built in 161 BC by Dutugemunu to accommodate 1000 monks.

Abayagiri Dagaba and Monastery

This Dagaba was also named after its monastery, which housed 5000 monks. It was built during the reign of King Vattagamini Abhaya (Valagamba) in 89 to 77 BC. By the first century AD the Abayagiri monastery had become famous attracting scholars from all over the world. Abayagiri enjoyed a golden age in the 4th century AD under King Mahasena when it housed the Tooth Relic (now housed in the Temple of the Tooth, Kandy). At the site are the Twin Ponds or Kuttam Pokuna which are two unusual baths beautifully constructed in polished stone. The entrance steps to the baths have two stone punkalas (pots of abundance). The Elephant pond at Abayagiri is an enormous bathing pool measuring the equivalent of six standard Olympic pools.

Jetavana – The tallest stupa in the world

At over 360 feet in height (originally 400 feet in height) Jetavana is the tallest stupa in the world. This colossal structure was made out of brick in the 3rd century AD. In the 4th century at the time of the collapse of the Roman Empire, this was the third tallest monument in the world. The first and second being the two tallest pyramids at Gizeh, Egypt.

Handicrafts


Sri Lanka have a large verity of traditional handy crafts. Sri Lanka is known world over for her handicrafts. These products are manufactured by applying age-old techniques that have been handed down from generation to generation.
These artifacts are manufactured by using only the tools particular to them and from raw materials found abundant in nature.
Sri Lanka has a varied heritage for of traditional crafts and arts. These products are a result of age – old techniques, indigenous raw materials and tools of natural Handicrafts are fashioned in rural Craft Centers. It was with in these Castes that traditional skills were preserved with a high degree of distinct ethnic identity,
Sri Lanka handy crafts men have been able to success fully combines certain raw material in to modern Crafts. Sri Lanka is well renowned to produce exquisite handicrafts.
Woodwork
Woodcarving is one of the oldest crafts still practised in Sri Lanka. Artisans of old had a preference for low-relief woodcarving, which lent itself to decorative wooden panels, boxes, and tables. Today, many decorative panels are still carved using traditional designs. In the handicrafts industry masks and wood carvings have remained as prestigious items reflecting not only traditional craft skills but the theatrical and cultural values of a past age.
Mat weaving
Mat weaving used to be practiced by every female villager because the craft was considered a necessary domestic accomplishment. Mats, after all, were essential items, used as both floor coverings and beds. Today, mat weaving is still popular among villagers but it is a cottage industry with few established sales outlets. Instead, weavers generally peddle their mats at festivals, fairs, and pilgrimage sites. Visitors may see them during the Kandy perahera in July, when the pavements of the city are colourfully lined with rolled up mats for sale. The mats of the highest quality with the best designs are made in the villages of the Dumbara valley in the Kandy district. These mats are traditionally woven on a simple loom using fibres from the bowstring hemp, mostly of white or black colouration. Often they are decorated with stripes or bands, or animal or floral motifs
Metalworks 
Sri Lanka has a long tradition in metals such as gold, silver, brass, tin, lead and iron, as well as their various alloys, in all sorts of work, from ornamental casting and pierced designs, to damascene- and filigree-work. Brass is the most common ornamental metal used outside of jewellery, and therefore the one most likely to be encountered and purchased by visitors. The alloy used in Sri Lanka is excellent for both castwork and cutwork. Castings in brass are usually created by the “lost wax” method, in which the model is sculpted in wax, covered with clay, and baked so that the wax melts and a mould is formed. Cutwork, on the other hand, involves cutting the pattern onto a flat sheet of metal and then embellishing the work by engraving, hatching, or repousse to produce items such as trays and plaques. Repousse is the most characteristic type of Sri Lankan metalwork, used on brass, copper, silver, or all three together to create a variety of traditional designs.
Lacquerwork
 Lacquerwork involves the intricate decoration of wooden objects such as bowls and ashtrays with a resin secreted from the bark of certain trees that have been infested with the lac beetle. The resin, also called lac, is scraped from the bark, melted down and strained. While the lac is soft, pigment is beaten in to produce the desired colour. Then it is left to dry. Two different techniques are used to apply lac. One method, called beralu veda or spool-work, involves putting the object to be decorated on a lathe, spinning it, and applying a hardened stick of lac to it at an angle, rather like a woodcarving tool. The resulting friction melts the lac, which seeps into the grain yet gives a glossy coating.The other technique involves drawing heated and softened lac into a fine thread and laying it in a pattern. This method is called niyapothu veda or nailwork, since the thumbnail is used to fashion the thread of lac. Today, lacquerwork is also produced by the inferior method of painting the object and covering it with layers of varnish. Visitors who wish to witness this craft should travel to the villages of Angalmaduwa near Tangalle, which is famous for beralu veda, and Palle Hapuvida near Matale, which is renowned for niyapothu veda. Laquerwork image
Lacemaking
Lacemaking is not an indigenous art. Dutch ladies probably introduced it during Dutch colonial times, particularly in the Galle area. Sinhalese ladies caught on, and lacemaking soon became an established local craft. During the 19th century, when Galle was at its zenith as a port, it became popular with passengers. Today, many older village women in the Galle area still spend their spare time making pillow lace and crochet lace, but when that generation passes the craft may die.
Handloom textiles
Although hand woven materials have lost their pre-eminence since the introduction of machine-made textiles, the craft of weaving high quality handloom textiles has experienced a remarkable resurgence in Sri Lanka over the past half century.
Jewelry
Sri Lankan Produced Excellent Costume Jeweler. In Jewellery there Are two traditions (branches) namely Galle. Traditional and the Kandyan Tradition. The Galle Low Country Traditional also called Western Traditional. The Stones are more conspicuous than the metal in the Law Country Traditional. The metal is only binding the Stones. But in the traditional kandyan Jewellery it is the metal work that is found more. The European tourists prefer the law Country tradition. There is also a technique Called filigree Work. This filigree work is found in the Silver Jewellery. In this type of Jewellery you get grainy finish. These telescopic grains are made of hairy Silver wire and welded to the surface. This technique is very difficult and finds therefore, it is Expensive.
Pottery
Pottery, like mat weaving, is a craft essential to village life in Sri Lanka. Robert Knox observed in An Historical Relation of Ceylon (1681) that the Sinhalese are adept at crafting “all sorts of earthenware to boil, stew, fry and fetch water in.” Today, as then, the potter can invariably be found demonstrating his or her skills in the verandah. Most of the pottery is thrown on small wheels turned by the potter himself. The output consists largely of simple undecorated pieces, but there is an increased demand for decorated pottery. Such decoration is usually done by incising patterns or stamping with a wooden die while the clay is still wet. Sometimes a glaze is painted prior to firing, which is done in a traditional kiln built of brick or stone and covered with a vaulted wattle-and-daub roof.
The primarily utilitarian character of Sri Lankan pottery remains to this day. It lends charm to its elegance of form and simplicity of ornamentation. Items include small clay lamps, elegant water-jugs and practical cooking vessels. Figurines and delightful animals with distinctly Sinhalese characteristics are also made. These can be seen in abundance just outside Weligama.
Batiks
Titik" or "Tik" means a bit or a drop in Indonesian language. The melted wax covers the area of the cloth that dose not get a particular colour. This is a tedious process, depending on the colour scheme the already prepared cloth has to go into the colour bath several times.
The patterns are generally drawn on the white cloth with the help of a template, but an Artist who is talented has the ability comes from china not only cotton but pure silk as well used in this from of artThe lime drawing is the initial step. Then waxing begins and depending on the pattern and the zise of the Artwork several waxing and boiling sessions take place between the dyeing session.
The "Tie & Dye" method was popular sometime ago with this method the drawing is not necessary but there is only a uniform round patterns with multi colours available.
Cloth should be washed Thoroughly to remove the starch. To was the cloth should be pined to a Frame.A drawing pen with a heap with molten wax is used to trace the pattern with wax and all areas that do not take the first dye is waxed. The Temperature of wax 17° c. When wax is cooled the cloth is submerged in a Bowl of cold water and then placed in the dye bath added with soda & salt, for 30-60 minutes. Then the cloth is removed and paged to drip. Then to remove wax the cloth should be boiled in a container for 5 minutes with detergents. Then the cloth is Rinsed and dried. This is the process for each colour until the Final design is completed.
Caneworks
As the cane is naturally grown in SriLanka cane work is in practice since ancient times.Radawadunna near pasyala on kandy road is famous for these craft

                                   Handicrafts in sri lanka

Sri Lanka has a heritage of handicrafts. All crafts are made by hand. These handicrafts include weaving cloth,  making baskets, leather items, pottery, jewellary, woodwork, brasswork and masks etc. Our handicrafts are an important part of the crafts tradition of our country. We must protect and maintain the flower of our heritage, so that they don't disappear with time.


   Earlier these crafts were a part of our day to day life. Now too they play a role. For example, we light the oil lamp when we start some new venture. The lamp has niches for nine wicks. These are meant to be for the "navagraha". But now the lamps are decorated with jasmine flowers like an offering made in the Hindu temple. The traditional lamp had a rooster at the top. This is now sometimes replaced with other symbols. So  tradition is continued with change.

   Wood carving is a very popular handicrafts even today, in our country. The Embakke temple built in the 14th century is famous the world over for its carved wooden pillars with intricate designe.

  masks are also imaginative creations of the village craftsmen coming down from ancient times. Masks are made of wood and used for rituals and folk plays. Masks are carved by craftsmen according to patterns approved by custom and tradition. Ambalangoda is famous for its mask making industry.

   Dumbara mats, jewellery, rattan baskets ect. are other traditional products that show our traditional arts and crafts. Some handicrafts are limited to certain areas in the island; it is because of the availability of the special material used and other historical factors. Most brassware is used as decorative ornaments. These are very popular as gifts and sovenirs. Pilimatalawa is a place famous for brasswork.